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Let’s play Eurovision Bingo!

Are you going to be watching the Eurovision Song Contest (final) tonight? Are you going to be watching it in the company of family or friends? Improve the experience by playing Eurobong-a-bingo!

This Eurobingo PDF file contains ten player sheets filled with random Eurovision cliches and phenomena which may be observed during the show broadcast. Simply check off each as they appear – award spot prizes for completing a line, and the first person to complete a whole sheet wins the kitty (or another prize of your choice).

There are also three additional ways to win: before the show begins, add your best guess for each of the quant questions at the bottom of the sheet. Closest wins!

This game has been published under a Creative Commons Attribution-NonCommercial-Sharealike license. Feel free to adapt, remix and share it, but please leave attribution intact.

Thanks and happy bing-a-bang-a-bingo!

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(Un)welcome

A couple of years ago, P and I went to a wedding on the North York Moors. We stayed in a rather faded (but decently-reviewed on Tripadvisor) hotel near the prom in Scarborough, and aside from a wobbly start when we arrived and discovered that the room had been cleaned but not the bathroom (eugh!) we had a perfectly pleasant stay for a couple of nights.

We barely spent any time there, just dashing in to shower and change outfits in between the social engagements which cluster around a wedding for old friends. But we made a point of having a decent breakfast both mornings, because you never know when you’re going to be fed at someone else’s nuptials, do you?

On the first morning, we showed up at the high-ceilinged breakfast room at eight, and were shown to a table in the window. Unsurprisingly for a hotel at the seaside on the first weekend in August, there were plenty of guests in residence, most of whom were already seated, in even-numbered clumps at tables adorned with white cloths and posies of plastic flowers in unnatural colours.

As we perused the menu, a man with a slightly Fawlty-esque moustache walked in carrying a pot of coffee. He approached the table to the left of us, which held two slightly rotund and red-faced couples wearing floral blouses (shes) and pastel polo shirts (hes).

“Right then, who’s for coffee?” the man with the pot bellowed

“Me please,” said one of the men.

“And me, Frank,” said his floral other half.

“Tea for me, thanks,” said the other man.

“Oh aye, I might’ve known there’d be trouble,” said the proprietor, “there’s always one awkward one.”

“If it’s not too much bother, Frank…” said the man who’d asked for tea,

“Bother? Oh no. It’s no bother to go all the way back to the kitchen for the other pot. Not with my bad knee; don’t you worry about it, Geoff. I’ll be right.”

“Well, while you’re there, how about some more toast?” asked the second floral woman.

“Easy there Margaret,” said Frank, “you’ll never fit into your bikini down at the beach if you keep eating at this rate!”

The table guffawed, as Margaret patted her stomach in a contented way. Frank, the coffee wielding owner, limped off in an exaggerated way, to retrieve a teapot from the distant kitchen.

P and I nervously perused the breakfast menu and wondered if we were brave enough to ask for a hot beverage if asked.

It was a warm day; we settled for orange juice from the buffet, somewhat relieved.

Last year, we visited Wensleydale for a few days and stayed a couple of nights in a converted barn B&B in the western dale. It was a lovely place and the owners were considerate and gracious hosts during our stay.

On the first night we were there, we were the only guests, and breakfast the next morning was calm and quiet. On the second night of our visit, two other couples were in residence, and the breakfast that followed was somewhat different.

“Hello there,” said the owner to the one of the other couples at their table, as he brought them toast, “sorry to miss you last night when you got here. Did you have a good meal? Find somewhere good? Marvellous.”

He turned to us and topped up the coffee in our cups, “more toast for you, too? Righty-ho.”

He disappeared into the kitchen and reappeared with a toastrack, his wife behind him bearing warm croissants and pastries.

Just at that moment, the other couple entered the breakfast room.

“Oh no,” said Mrs Owner, “Not these two again.”

Mr Owner joined in “Can’t get rid of you, can we?”

As they took their seats, smiling, he turned to our table and said in a loud stage whisper, “We keep telling them we’ve moved in the hope that they’ll get the hint, but they keep coming back, the daft twats.”

This weekend, I had the good fortune to spend a night in a small village not far from Harrogate. When I arrived, the B&B hostess opened the door, looked me up and down, sniffed slightly and ushered me in. I went upstairs to the room she led me to, and she reeled off a list of rules and details which I didn’t really need to know given that I was only going to be there for less than twelve hours.

Aside from when I popped downstairs to return my what-I-want-for-breakfast form (really) and ask for the WiFi password (a request which, despite the generous gushings about its free and ample provision in the bound guest information folder upstairs, the proprietress greeted with the sort of face that implied I’d just asked if I could please poo on the bedspread) that was the limit of my conversation with her for the extend of my stay.

The next morning at breakfast, her husband brought me tea and toast monosyllabically as I sat alone in silence at a giant table set for three in the cavernous, beamed dining hall.

I sipped my tea and munched on toast and thought about the day I had ahead and the bossy little comic sans signs which peppered my guest bedroom urging me not to spill red wine on the bedspread (I don’t have any), not to smoke out of the window (I don’t), allow my children to make noise after 10pm (see my first point, above) or move the television from its position (move the table instead).

A couple of minutes later, the other guests came down the sweeping staircase and took their seats.

Mrs Owner came out of the kitchen as she heard their chairs scraping across the tiled floor.

“Oh good morning!” she gushed to the new arrivals, “how did you sleep?”

She fussed over to the welsh dresser and pressed play on a CD player, so a little light chamber music drifted out over the table.

“Now, for breakfast this morning we’ve got porridge if you like, and did you want a cooked breakfast? Don’t worry if you didn’t put it on the form last night. What’ll it be? Full Yorkshire? Or I could rustle you up some poached eggs if you’d prefer?”

I silently chewed my toast, and wondered what I had done wrong, to be treated with such disdain.

And on the train home, I realised that there’s a sort of universal northern theory of interpersonal relationships, which dictate the level of civility you can expect in line with the closeness of your relationship to someone.

It looks something like this:

Understanding (northern) British interpersonal communication

If someone doesn’t know you or like you, you can expect them to be brusque (at best) and openly hostile (at worst). Once you become more familiar, this mellows into a studied indifference, and as soon as they get to know you and/or like you a bit, this turns into the genial chit-chat that you might expect to be the normal point of entry for social relationships.

And then, as your relationship deepens, there’s an uncomfortable bit of indifference again before it becomes open season on personal insults and the camaraderie of mutual abuse which indicates that you’re really good friends, in fact.

I’m sure this is true in various other bits of the country, but nowhere have I experienced it more than in Yorkshire and the environs, and specifically in B&Bs and hotels.

I suppose that the special relationships which come about from regular visits to a particular establishment must lead to a particular kind of bond, based on teasing, affront and mockery. But it’s bloody perplexing to figure out where you sit in the continuum and how to navigate its perilous course.

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Empty sky

Just found this 2003 photo from when we first moved to SW14

For as long as I’ve lived in London, I’ve lived under the flight path.

That’s not saying much, of course – most of central, west and south-west London is affected by plane noise, as they circle over the suburbs, make a languid turn over Tower bridge and then approach to Heathrow along the Thames.

I remember standing on the school playing fields (when I should undoubtedly have been chasing a hockey ball or hustling to class) and looking up at planes not so far overhead, trying to identify the airline from the tail fin design. Alitalia. BA. Pan Am. SAS. Lufthansa. Countries in the sky.

For most of the last decade, I’ve lived directly under the flight path, in Mortlake by the river, which is the point where the wheels come down on the landing approach.

When we first moved here, I was hyper-aware of the planes. I’d wake up as the first flight droned overhead around 04.30, before dropping off again. And then, throughout the day and evening, every thirty seconds, they’d rumble over on their way to landing: loud enough that you’d miss a few seconds of important dialogue in the film you were watching, or have to pause your conversation for a spell. Before Concorde stopped flying, the air would be thunderous for nearly a minute as it slid overhead.

Flightpath

Yet most of the time, I didn’t mind the planes. They reminded me that up above, people were about three minutes from landing – homecomings, holidays, greetings and meetings. Three minutes before landing, everything is put away and switched off. There’s nothing to do but look out of the window at the huge expanse of London below and anticipate the moment when you’ll touch down. It’s nice to sit in my study, or in the back garden, or lie in bed and think of people in a suspended, anticipatory, excited state above, just moments from an arrival.

Flying into Geneva

And I’ve been in those planes, too. I purposefully sit by the window when returning to London, usually on the right of the plane, so I can drink in the sparkling city. And what a welcome home.

Greenwich. Tower bridge. Cannon Street. Waterloo. Green Park. Hyde Park and the Royal Albert Hall. The Empress building. Queen’s Club. Hammersmith bridge. Leg o’mutton nature reserve at Barnes. My house, by the bend in the river. Dukes Meadows driving range. Brentford. Hounslow. Heathrow. Home.

Greenwich

Cannon Street

Westminster and the South Bank

Serpentine

Albert Hall, Hyde Park & Kensington Gardens

Kensington from The Bromptons to the Grand Union Canal

Hammersmith Bridge

Hammersmith Bridge

Chiswick

Playtime

In the months after September 11, 2001, the sound of planes took on a different edge. More menacing. Despite the fact that they were still just tootling along toward the landing runway, sometimes the noise sounded surprisingly loud – Too loud? Too low?

And there were other concerns, too – we can’t shop in our local Sainsbury’s without thinking of the tragic tale of the man who fell to earth – a story that sounds apocryphal, but horrifyingly, happened. More than once. Knowing that certainly lends an edge to doing your weekly shop. We glance nervously at the passing planes sometimes, too.

I woke yesterday morning to the sound of birds in the trees outside the window, and wondered what was missing. It took a while to realise the absence of planes made this place feel different.

It’s been a strange combination of eerie and delightful these last few days having no plane noise at all.

No contrails. No regular rumble overhead. Because there are no planes.

...marks the spot

The atmosphere over most of Europe, they tell us, is full of dangerous ash. And yet the skies seem so beautifully, strangely empty.

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Curated

I know the first rule of blogging is “never apologise” but I’m sure one of the other rules is something like “keep it up” which I have been woeful at doing recently – the terrible timing, so soon after my celebratory tenth blogiversary postings, was noted and probably deeply significant.

Lots of travel, lots of stuff happening at work, lots of really lousy things happening with regard to our housing situation (synopsis: After seven months dangling at the end of a property chain last year, we finally gave up on the place we were buying and found somewhere else with no chain. All progressed well until the owner of the house we were just about to exchange contracts on suddenly changed her mind about the sale which meant we, having given in our notice on current (rented) flat, were very nearly about to be homeless within weeks. We’ve sorted it out now, thankfully, and the hunt continues, though we are surrounded by boxes which I can’t bring myself to unpack just yet.)

So here’s something approaching content: I’ve been quietly making galleries on Flickr for a while. Here are some of my favourites…

What big eyes you have

(What big eyes you have)

Lone tree in winter

(Lone tree in winter)

Migraine-inducing carpet

(Migraine-inducing carpet)

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Ten things, observed

Part of my tenth blogiversary series.

  1. Never parted on the tube
  2. Things you don’t see every day on the way to work
  3. H&C line, morning
  4. Bus sketch
  5. At the arrivals gate
  6. Three tube sketches
  7. Sketches of France
  8. Putting on
  9. Honk
  10. Three shirts

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Ten things that I wouldn’t have much call to say if blogs didn’t exist

Part of my tenth blogiversary series.

  1. Reverse-chronological (unless I was Benjamin Button)
  2. Permalink (I think Prolific invented or at least named these, didn’t she?)
  3. Archives (unless I was a librarian)
  4. Publish (unless I was Rupert Murdoch)
  5. Blogroll (I don’t have one, though)
  6. Blogring (remember them?)
  7. Post (unless I worked for Royal Mail)
  8. After the jump (unless I worked for the Samaritans)
  9. Pingbacks (unless I was Brian Eno)
  10. Plugins (unless I was an automaton sexbot)

Addendum: Things I do not say, even though I have a blog

  1. Blogosphere, because it’s stupid
  2. Blog when I mean blogpost because it’s just WRONG
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Ten amazing people I wouldn’t know if it wasn’t for having a blog

Part of my tenth blogiversary series.

Of course, this list isn’t exhaustive, and only really includes people who I’ve met or connected with through blogging rather than work or webbiness in general, though of course there are plenty of the latter who also blog. If you’re not on this particular list, please don’t be sad. It’s not that you’re not important too! And please note that everyone linked to here is still blogging…in some fashion.

  1. Paul is (now) my wonderful, talented, funny, endlessly patient husband. But before he was my husband or even my boyfriend, he was blogging at digitaltrickery and made me laugh and intrigued in his blog, over IM and at early blogmeets. He thinks a lot of blogging is nonsense. He’s not wrong. But I can’t dismiss the entire medium which introduced me to him, can I?
  2. Dan was present at the very first UK Blogmeet in June 2000 in Kings Cross (we must have a reunion later this summer, especially since I now work down the road from the place where it was held) and at the time, a student blogging under the name Daily Doozer. But Dan has gone on to amaze and impress me along with the rest of the world with his creative passion and insight about games and alternative ways of exploring worlds with the company he founded sixtostart.
  3. Katy was also at the first Blogmeet (back then, Kitschbitch) and in the last decade has gone from schoolgirl to student to insightful and accomplished ad agency doyenne, without breaking a sweat. How does she do it? Energizer batteries?
  4. Tom, another first Blogmeet attendee, but back then blogging at Barbelith. He probably needs no introduction to the majority of web-aware people. But in the decade I’ve known him, I’m glad to know there’s more to him than the web wunderkind legend many see. He’s playful, kind, creative and clever. Unfortunately, he lives thousands of bloody miles away now, the rotter.
  5. Giles is a dark horse. He came to the first blogmeet too, then (as now) blogging under his own name, and as a long-time freelance writer creator he’s spent the last ten years being quietly, consistently brilliant both on his own site and hundreds of others, plus print and beyond. He’s funny and succinct and hugely astute. Giles is now, as much as then, an inspiration.
  6. Pete is a polymath. I came across him blogging at first at Bugpowder, then mainly about zines, but his unfolding adventures through his mental state, unemployment, a fascinating glimpse into a stint as a contract worker brought him to Birmingham and his current life which includes living (not just talking about) social media, co-working, creative experiments with the city and amazing photography using the most convoluted contraption you’re likely to see. Pete seems to have a knack for anything he turns his hand to. He’s a creative whirlwind.
  7. Darren‘s been doing this since before you were even online, probably. If there’s a good/interesting/funny/geeky site on the internet, he’s linked to it. Hugely (and rightfully) respected by old school bloggers, Darren’s been plodding away steadily at his site for about the same amount of time I have. His quiet dedication is obvious. Less obvious to the casual blog browser (but I’m glad to know it now as a friend) is his gentle good humour and kindness.
  8. Bobbie is one of the most talented writers I know. He’s bloody funny, brilliantly talented and vastly knowledgable in all sorts of expected (robots, technology) and unexpected (ukelele renditions of Radiohead) areas. Although he (until next month) works at The Guardian, I don’t know him through that context, though of course was aware of his name. No, our blog connection is a bit of a cheat, really. Not long after I started blogging, I helped my lovely sister hop on the bandwagon, and she became brilliant at it and through her general fabulousness eventually met BoJo, and now he’s my brother-out-law. So I like to think if I hadn’t had a blog in the first place, I might not have been lucky enough to know him as a friend and near-relation, not just a colleague.
  9. Mike is probably the most prolific blogger I know, with an almost neverending capacity for themeblogging, fresh thinking, collaborative projects, and funny, poignant, well-written think pieces. I’d long been impressed and tickled by Mike’s online persona, and was chuffed to discover years ago that it’s no facade. That’s who he is. Erudite, witty, charming, well-turned out both verbally and sartorially. It’s been amazing to see Mike’s hobby (going to gigs and knowing loads about music) turn into a burgeoning side-career, as well as watching him grow in curiosity and confidence about hyperlocal blogging for the village he (sometimes) lives in.
  10. Caroline is a true inspiration. She was, in fact, the reason that the first uk blogs mailing list formed in order to start discussing how to meet up when Prol came over in summer 2000. She didn’t make it that time, but we met up anyway (see above) and toasted her in absence. Caroline (who I’m afraid I still think of as Prol) is an inveterate, thoughtful, gifted web creator. Her personal blog is just the tip of a vast web iceberg which includes immensely successful community-driven fansites (though the word doesn’t do them justice) for U2 and Joss Whedon and accomplished artist site for her friend Gavin Friday. But she’s also managed to create incredible concert photography and thoughtful collaborative projects like the one which first introduced me to her – croon.org (now sadly gone, but not forgotten).

I’m lucky to have these people in my life, even if we’re not in each others’ everyday lives. And I’ve got blogging to thank for it.

Who have you met through blogging?

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The power of ten

I missed the actual tenth birthday of this blog/me blogging but I can’t let a milestone like that go unmarked, can I?

10

Originally started as a place to store and share links, this blog gradually became a place to playfully interact with the world, and over time that turned from introspection to exploration of the world, media, experiences and ideas. I don’t think I’m alone in that kind of journey with blogs.

I am immensely (unreasonably, perhaps even pathetically) proud of having been blogging for so long. I can say confidently that I was in at the beginning, when all this were fields. I was here before many of you young whippersnappers who have gone on to eclipse me, and blogging, and the web entirely in their success and influence. I don’t put my early involvement down to canny prescience about the way the web was turning so much as an inevitability given my proclivity for tinkering with web things, my early academic and personal interest in communicating online and my inability to shut up. Blogging and me; it was only a matter of time and technology before we found each other.

I was there. I remember the start, and the hype, popularisation, commercialisation and ubiquitisation which followed. I couldn’t possibly have known it at the time, but my blogging was to introduce me to dozens of interesting people, influence others to start doing it too, cause interesting opportunities (and worrying situations) to develop. Blogging has become part of what I am, what I do. I blog now for the same reasons I did in early 2000: because I can’t not tinker with and publish to the web.

Ten years ago, I was embarrassed to mention having a blog in polite company, because it was so difficult to understand – not just what but why. These days, even both my parents have blogs. It’s not a weird niche oddball geek thing anymore. It’s so normal it’s almost passé. Good.

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Four Stories

On Friday I attended The Story, a London conference about stories and storytelling.

The stated proposition for the event laid it out as

a celebration of everything that is wonderful, inspiring and awesome about stories, in whatever medium possible. We’re hoping to have stories that are written, spoken, played, described, enacted, whispered, projected, orchestrated, performed, printed – whatever form stories come in, we hope to have them here.

The Story is not about theories of stories, or making money from stories, but about the sheer visceral pleasure of telling a story. Whether it is in a game, a movie, a book, or a pub, we’ve all heard or told or been part of stories that have made us gasp, cry or just laugh.

There have never been so many stories, never so many ways to tell them. The Story will be a celebration of just a small sample of them.

It was an interesting day which has already been well documented elsewhere, but after the event I found myself reflecting on the content and which bits I’d enjoyed and craved more of, and which less so.

Throughout the day, I was variously amused, intrigued, distracted, confused, impressed and challenged at points, but didn’t leave feeling overly inspired to create myself – or at least, no more than usual. It felt like a brilliant event showcasing brilliant creators, but with less emphasis on the audience – a room packed full of potential creators – and how they could also play, create, bring stories into existence, either from their imaginations or from life.

Without dwelling on particular contributors and their participation, I tried to think about the wider classifications of activity experienced throughout the day and how I found them, and how they fit together. As I see it, there are four potential story-related events which could have appeared under this banner:

The first is a forum for established, published authors to read their works aloud in public. This is most like “an audience with” and suffers from three potential problems. Namely: that things that work when written down don’t necessarily work so well read aloud; that authors reading their work aloud rarely add anything to the interpretation except their identity (in this situation, their fame tends to compensates for the diminished quality of a live performance of a written text); that the audience can usually read for themselves and don’t need to attend to do so. In this context, the story is subservient to the identity and presence of the author. You are in the presence of a creator. The audience is required to participate only through attention and appropriately-timed ripples of laughter. This kind of event is opaque.

The second is a platform for the telling of original stories. The identity of the storyteller isn’t as important as their ability to tell a good story, and this is only heightened by context-specific or unique stories: tales woven specifically or only for a particular time and audience. There’s a long-established tradition of doing this – think about Fray Cafes for example – and like open mic nights, they require the audience’s support and potential participation. The story is more important than the teller, and the audience tends to want something which doesn’t feel like a well-honed routine, because that makes it seem more like a rote performance and less like an act of engaged sharing. This kind of event is levelling.

The third is an event about the craft of telling stories – via multiple media – from storytellers themselves. In this sort of event, writers and creators share their thought processes, techniques and patterns of working out ideas, and secrets of their industry or approach, while exploring how and why they do what they do. This provides additional layers of context and insight into the stories themselves, as well as positioning the author or storyteller as a skilled and thoughtful creator. The audience is let in on secrets, and gains a great and inspiring understanding of how these artists tell their stories. This kind of event is inspiring.

The fourth is a more theoretical platform for discussion of stories (plural rather than specific), in which the speakers may not be practitioners of storytelling itself but come from related disciplines and fields such as academia, publishing, commissioning, adaptation and editing. They speak about the patterns and particular aspects of storytelling as it relates to wider contexts than the urge to share a particular story, and may reflect on topics such as the art of the cliffhanger, how narrative curves engage the reader, the seven basic movie plots and why the future of stories is games. The audience is challenged to make a mental leap to the semi-abstract, and in the process gains insight into the general activity. They take lots of notes. This kind of event is stimulating.

The Story was none of these events, specifically. It was a combination of several of them – some of the first, a few sessions of the third and one or two of the second with (purposefully) very little of the fourth.

Personally, I’m fascinated by the third and fourth, and would really enjoy a day of them combined with a more relaxed evening participatory cabaret of the second type described above. The first leaves me a little cold, I’m afraid – possibly because while I like hearing from authors, I mainly want to hear them talk about their work and their ideas and their approach and their stories, and less straight reading from the printed page.

I know Matt Locke, the creator of The Story, has already stated his intention to put another event on next year. I look forward to seeing how The Story develops – or, to put it in more appropriate terms, what the next chapter contains.

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Hello, Tigers

Happy Chinese new yearKung Hei Fat Choi.

Here are some of my photos of previous CNY celebrations in London. I’ll be heading along this weekend again, with various cameras.

Chinese London

Magic Lantern

Backflip

Watching the dragon

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What’s all this, then?

This is a personal site, created and curated continuously since early 2000 by Meg Pickard, a creative geek, passionate photographer, anthropologist and web experience /community /social media specialist, who works for The Guardian & lives in London, UK.
 
The site includes a blog - a personal and evolving collection of links, opinions, thoughts, ideas, anecdotes and musings - as well as a variety of other projects. It is also a place to aggregate some of the author's distributed web activity, like photos, links and music.
 
More info about this site and its author.

Important note #1

This is a personal site. The contents and opinions contained within don't necessarily reflect those of my employer, family, or cat. They think for themselves (though mostly about tuna, in at least one case), and so do I.

Important note #2

Since the overwhelming majority of content on this site is historical, it should be regarded in light of the context in which it was originally published, and not as indicative or revealing of current perspectives, preferences or experience.

Important note #3

While I work and spend a lot of time thinking and talking about social media, participatory technologies and community development strategies, the vast majority of content on this site is not about that.

This personal site isn't about anything, except the perpetual unfolding of one person's experience, and the perspectives, observations and opinions that involves and inspires.

You still here?

Oh.