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Archive: Poems

Poetry, by me and favourites by others. I don’t claim to be a poet. Sometimes the words just tumble out that way, though.

Words, wide night

Somewhere on the other side of this wide night
and the distance between us, I am thinking of you.
The room is turning slowly away from the moon.

This is pleasurable. Or shall I cross that out and say
it is sad? In one of the tenses I singing
an impossible song of desire that you cannot hear.

La lala la. See? I close my eyes and imagine
the dark hills I would have to cross
to reach you. For I am in love with you and this

is what it is like or what it is like in words.

- Carol Ann Duffy

Mindful, mindless

I pointed, and told you I was like that coffee cup
but you stood on it just the same;

balancing, arms outstreched,
in an uncharacteristic moment of grace.

I held my breath and awaited a reply
as you shifted your weight
delicately, calculatedly.

And inevitably,
the cup broke under the strain
into sharp, complicated pieces.

I asked you why you had broken it
and you simply shrugged and replied
“Because it was there”

Your Name

I turn your name over in my mouth
like a boiled sweet
and enjoy the way it slides over my tongue
clings to my teeth.

Perhaps tonight I will open my mouth,
let your name rise
into the cold air.

The word will escape my lips,
un-noticed,
slipping out like billowing breath,
hanging in the night, like the angel’s share;

invisible but present,

forever.

Untitled

You haunt my days,
my nights,
the inside of my eyelids.

Every blinking moment
is full of you.

Vaseline

A decade disappeared tonight:
I touched my lips with yours -
But two steps removed

Chilled and chapped, your fingers dipped
to my pot of blue and white Vaseline
- so clinical, so practical, so normal -
then, fingers to lips, I watched them smooth
the ridges I used to know.

Later, I reached for the same pot,
Felt the indentation
Where your fingernail had gouged the grease from the centre,
Knowing that same sensation,
still feeling indignation at the way your fingernails touched my skin,
gouged my heart,
even now a decade later.

I loaded my fingertips with clear grease
And touched my lips to yours,
two steps, ten years,
a lifetime removed.

Time

I cannot imagine you in this, my world,
now. Time has stolen you from me
and you cannot belong.

I set off this morning to walk in the rain
and by the door suddenly, pulling on boots,
I forgot how to breathe.

These simple rituals, involuntary survival;
because; in spite; whichever.
Lungs pump rhythmically, keeping time,

for me, regardless, relentless, a clock.

 

Meg, 8/97.
For Hilary, who died young and far away.

Your Souvenir

Because of you, I have new rules.

I don’t wear jeans.
I don’t drink whisky.

This is the legacy you left me.

I don’t dance.
Don’t laugh at parties.
Don’t sleep until three.
Don’t share my bed.

This is my least cherished souvenir.

Such nonsensical phobia.
Should I harbour fear of men?

Perhaps. But
I had been teaching that day,
and now,
I can’t bear to smell chalk
because its dust caked beneath my fingernails
as you held me down
and rudely slashed my innocence.

When I returned from my travels
as well as bright colourful socks
and pan-pipes, photographs, exotic tales,
I returned with your lasting souvenir.

A dull memory of a cold Andean night;
music and laughter behind a closed door;
the bitterness of cruel lips
and your insistent, unrelenting body.

This is your souvenir.

Perhaps
you will understand
If it is not proudly displayed.

Small Things

Small things
make my heart miss a beat,
my stomach rise
into my chest

I’m looking at the package you sent,
bound with sellotape

I notice that the edges
are ragged, as if bitten off
and then I stop

and imagine your mouth on mine.

Midnight Feast

Such a wide yawn.

You have stars caught
between your teeth.

I ache to pick them out
with searching, hungry lips

                  like pips
from fresh-peeled fruit
sweet and cool in midnight air.

And the moon is
tangled in your hair

© 4/99, Meg Pickard

Loving Me Not - the Story

One night in mid-February 1992, when I sat in Pagliacci’s restaurant at the heart of downtown Victoria, waiting for someone to show up, and hurting.

We were friends, good friends, and I had an eighteen-year-old-girl crush on him, which never amounted to anything. We’d made an arrangement the night before, or at least, I thought we had. Over coffee on the balcony of the common room, over looking the sea, he’d mentioned going into the city the next night, and I’d murmered that I had similar plans. He said something about maybe getting some food, and I, being eighteen and blinkered, took that as meaning “See you in Pagliacci’s, our favourite restaurant, for a romantic dinner at eight, then”.

Neither of us realised the significance of the date.

Pag’s was (probably still is) a popular place, with great food and an amazing atmosphere. I used to go to all the time when I was studying over there. Used to love the anticipation, queuing down the block - there was always a big line-up. Used to enjoy getting there early enough to get a good seat for the jazz later, sitting elbow to elbow with complete strangers, gorging myself on Caesar Salad, Manhattan Transfer with real walnuts and real New York Cheesecake, so good it made everyone shut up when savouring it, so rich I might as well have rubbed it directly on my thighs. Used to love trying to get served beer (and usually failing), and settling instead for frothy cappuccino with soy milk, before I even knew what soy milk really was. Used to enjoy the repleteness of an enormous dinner, more filling and satisfying than anything the college cafeteria could ever have dreamed up, the company of friends (or not) in the city, the guilty pleasure of a meal we couldn’t afford, the slow wander back to the bus to take us back out to the boonies.

The night after our conversation, I showed up at the restaurant at a quarter to eight. As always, there was a long queue outside to get in, made up mostly of couples. The women clutched Valentines roses in their pale hands; the men clutched their women. The queue inched forward, and when I got to the front of the line, I told the waiter that I was expecting a friend. He seated me at a table for two in the window, and I waited.

When half eight came, the waiter asked if I would like to go ahead and order - so I asked for salad, which came and went, though I barely touched it. At nine, pasta, dipped with crusty garlic bread, and by quarter to ten, dessert - chocolate cheesecake, rich and smooth, like the other customers in the restaurant. Throughout the evening, I asked the waiter if he wouldn’t mind sticking his head out the door and checking in the queue outside to see if my friend was waiting there, trying to get in. The waiter would peek outside, and then shake his head and shrug as he came back inside. There was no-one outside waiting for me, and I was waiting inside for no-one. During dessert, they took away the chair where my friend would have sat, because they needed it for another table. He wasn’t going to come.

I had nothing else to do while waiting - no book to read, no walkman, nothing, which is very unlike me. No-one likes to sit and look lonely, so early in the evening I borrowed a pen from the waiter and wrote tiny words on the fronts, backs and insides of four Piet Mondriaan cards I’d bought to send to friends back home. A letter of frustration. A letter about waiting in a busy restaurant. A letter about coming to an uncomfortable realisation. I still have it - sellotaped into an old diary, printed on the front with the words “the Pagliacci Notes”.

By ten o’clock, I was out of excuses. He hadn’t missed the bus, he wasn’t lost, he wasn’t just running late: he wasn’t coming. The waiter asked if he should bring me the bill, and I nodded silently. He disappeared into the back of the restaurant, and appeared a few minutes later, empty handed.

He couldn’t do it, he said. I looked too sad to pay. No-one should wait on their own in a restaurant on Valentine’s night, he said. He’d paid for my dinner out of his tips for the evening. He told me that the guy I was waiting for was obviously a moron, and that if I wanted to go out for dinner sometime soon, he’d be happy to take me. He scrawled his number on a napkin, and told me to call.

I left the busy restaurant, smiling through the nearly-tears.

 

Poem, written at the table, waiting: Loving Me Not

[Post-script about the waiter:

His name was Scott, and we met a week later for coffee. He was a sweet guy, and probably perfect for someone - but not me, at that point.

I was smarting from the realisation that nothing was every going to happen between me and my friend, and I couldn't focus enough to be involved with someone else, even someone as kind as the waiter.

He was also a classic closet case.

We kept in touch for a few months, meeting for coffee every few weeks (I think we may even have been to a Grapes of Wrath concert together) but nothing ever happened between us except friendship, of which I was very thankful.]

[Post-script about the friend: we lost touch for nine years, and met again in January 2001. Nearly a decade after that night of waiting in Pagliaccis. I told him I'd waited, and he confessed he hadn't even known we'd agreed anything, and had ended up playing pool with a friend in some bar.]

By the way...

I'm female. It doesn't have much impact on what I write about, or how I write, but I thought I'd point it out because so many people who link to this site seem to assume I'm male. The clue's in the name. Meg. Like all those other female Megs.

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What's all this, then?

This is a personal site, created and curated continuously since early 2000 by Meg Pickard, a creative geek, passionate photographer, anthropologist and web experience /community /social media specialist, who works for The Guardian & lives in London, UK.
 
The site includes a blog - a personal and evolving collection of links, opinions, thoughts, ideas, anecdotes and musings - as well as a variety of other projects. It is also a place to aggregate some of the author's distributed web activity, like photos, links and music.
 
More info about this site and its author.

Important note #1

This is a personal site. The contents and opinions contained within don't necessarily reflect those of my employer, family, or cat. They think for themselves (though mostly about tuna, in at least one case), and so do I.

Important note #2

Since the overwhelming majority of content on this site is historical, it should be regarded in light of the context in which it was originally published, and not as indicative or revealing of current perspectives, preferences or experience.

Important note #3

While I work and spend a lot of time thinking and talking about social media, participatory technologies and community development strategies, the vast majority of content on this site is not about that.

This personal site isn't about anything, except the perpetual unfolding of one person's experience, and the perspectives, observations and opinions that involves and inspires.

You still here?

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