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We WISH you a merry CHRIStmas etc

So when I was in primary school, somewhere in multicultural inner West London, every year we had an inclusive end-of-term Christmas play. We didn’t do a nativity, because this was seen as too alienating for the majority of kids, so the teachers used to devise a performance which

a) included all 110 children in the school
b) contained music and
c) made some sort of vague sense while
d) not being about the nativity, specifically (specivity?)

To their credit, they did very well.

I only remember a few of the themes. One year was “Around the World” in which groups of children in vague costume came on and sang different songs or did little skits about different countries and cultures. I was a Mexican, singing “South of the Border”. Make of that what you will.

Another year was All Kinds of Christmas - lots of newish carols and christmas songs in cowboy/calypso/north american indian style, probably from songbooks written by earnest middle-class music teachers - oh yes, like Merrily to Bethlehem (there’s an updated version but it doesn’t ahve to cover I remember from childhood).

My favourite year was, I think, my final one, which took the theme of the Twelve Days of Christmas, I think going on the theory that 1 + 2 + 3 + 4 + 5 + 6 + 7 + 8 + 9 + 10 + 11 + 12 = 78, plus a dozen narrators, a handful of people singing the song in between each act would take it to a hundred, and no-one would notice another ten or so knocking about on stage at various points. I mean, when there are twelve lords a-leaping, who’s going to mind a thirteenth?

Anyway, this was my favourite year because I got to be one of the eleven ladies dancing - and if I recall correctly, we all came on dressed as flapper girls, did the Charleston, and then broke out into some moves to Chaka Khan’s I feel for you - in fact, looking something like the moves in her video for the song, only, you know, dressed as flappers and without as much rhythm and with less body-popping - because no-one wants to see a chubby eleven year old do the wave.

Nice. Well, this was 1985, after all.

So the point of sharing all this is that at the very end of the performance, the entire school would troop onto the stage, one class at a time (oldest at the back, kindergarten at the front) with the whole structure creaking under our combines weight. And as we tramped on, we’d be singing (well, breathily shouting) We wish you a merry christmas, only with the emPHAsis on WISH and CHRIS - We WISH you a merry CHRISmas - and also inserting some line about bringing good tidings to “you and your king”. Didn’t we all?

Anyway, all this nonsense is by way of saying that this blog is my stage, I’m WISHing you a very merry CHRIStmas, and I’m off to spend a few days body-popping to some mid eighties r&bhop while dressed as a cowboy flapper.

Not really about the last bit.

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Category: Life, Younger

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One Response

  1. the other other Karen says:

    i WISH you a merry CHRIStmas too! lol
    i think that is universal, all kids everywhere sing it that way!

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By the way, I'm female. It doesn't have much impact on what I write about, or how I write, but I thought I'd point it out because so many people who link to this site seem to assume I'm male.

The clue's in the name: Meg. Like all those other female Megs.

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What's all this, then?

This is a personal site, created and curated continuously since early 2000 by Meg Pickard, a creative geek, passionate photographer, anthropologist and web experience /community /social media specialist, who works for The Guardian & lives in London, UK.
 
The site includes a blog - a personal and evolving collection of links, opinions, thoughts, ideas, anecdotes and musings - as well as a variety of other projects. It is also a place to aggregate some of the author's distributed web activity, like photos, links and music.
 
More info about this site and its author.

Important note #1

This is a personal site. The contents and opinions contained within don't necessarily reflect those of my employer, family, or cat. They think for themselves (though mostly about tuna, in at least one case), and so do I.

Important note #2

Since the overwhelming majority of content on this site is historical, it should be regarded in light of the context in which it was originally published, and not as indicative or revealing of current perspectives, preferences or experience.

Important note #3

While I work and spend a lot of time thinking and talking about social media, participatory technologies and community development strategies, the vast majority of content on this site is not about that.

This personal site isn't about anything, except the perpetual unfolding of one person's experience, and the perspectives, observations and opinions that involves and inspires.

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