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Once

Just once.

I was six. We lived in an Edwardian semi on a leafy avenue in North Kensington, two stories at the front, three at the back, with a cherry tree facing the street and a long garden wild with bramble and butterfly bushes to the rear.

Our bedroom was at the back, my sister and I. It was square, with enormous blue seventies flowers on the wallpaper, and although the end of the decade was fast approaching, the flowers remained well into the eighties, after I’d moved to my own room at the front of the house, a room which itself featured a glaring orange and gold intertwining vines print. What was it about the seventies and gigantic, garish nature?

Our bedroom was the scene of plentiful creativity – we were forever dressing up, putting on plays for each other and anyone who would watch, inventing and telling and enacting elaborate sagas involving various rag dolls, “souvenir of…” culturally-attired dolls (brought by well-meaning visitors from overseas) and ancient, homemade wonky-limbed knitted stuffed bears.

Once, in summertime, I made it snow indoors by sending plumes of talcum powder into the air, coating the entire room with a thin layer of scented powder and turning the air thick and misty as my little sister sat in the middle of the room with white eyelashes, alternately laughing and coughing. It took us ages to get the last of the powder from the cracks in the floorboards, and for months afterwards, every time we took the dressing-up clothes out for a play, there’d be a cloud of scented mist hanging over us.

There was a big sash window in the back wall, overlooking the garden, three storeys below, and beyond the peach and crabapple trees that marked the end of the brambles, the seven foot wall over which we used to vault to gain access to the magical, unexpected half-acre meadow which lay beyond. Imagine that: in the middle of London, a meadow, wild with thistles and long grass and flowers, with a family of escaped rabbits running wild and an area of grass just big enough for a decent game of rounders. Imagine how perfect, how magical.

When standing at the window, and looking straight ahead, I could see between the roofs of two houses across the meadow a glimpse of the Westway, in the distance. As I backed away from the window, in the direction of the door, the framed picture of the Westway across the rooftops appeared to increase in size. As I walked towards the window again, it shrank: my first introduction to perspective.

One day, in summer, the family was sitting out in the back garden. My sister was probably splashing in a paddling pool. My brother was probably climbing the peach tree. I was probably alternating between the two, or tunnelling into the prickly brambles to create a hidden, leafy cave. My mum was with someone, I remember – a friend, or one of her sisters – sat on a picnic blanket and watching us play.

For some reason, I decided to go inside – running along the side passage, up the stairs by the back door into the kitchen, through the hall, up the main stairs and into our bedroom. I don’t remember what I was doing, or why, but I hauled open the sash window in the bedroom, and pushed at the windowbox on the ledge, trying to make room enough for me to be able to sit on the windowsill alongside it, so I could dangle my legs over the edge and wave at my family below.

The windowbox went tumbling down three storeys, and crashed in an earthy, pottery, flowery mess in the garden below, mere feet from where my mother was sitting. She looked up, horrified to see me on the second floor, frozen with one leg out of the window and a guilty look on my face.

I have never known how she managed to do it, but within a second she was behind me in the bedroom, hauling me back in through the window and onto her knee, her hand swift and smart on my bum.

Thwack. One. Don’t ever.

Thwack. Two. Do that.

Thwack. Three. Again.

Then I burst into tears. And so did she.

And she never did it again. And neither did I.

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Category: Younger

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By way of explanation…

This is an individual post, which may not be very recent. For the latest stuff on meish dot org, please visit the main page.

By the way, I'm female. It doesn't have much impact on what I write about, or how I write, but I thought I'd point it out because so many people who link to this site seem to assume I'm male.

The clue's in the name: Meg. Like all those other female Megs.

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What’s all this, then?

This is a personal site, created and curated continuously since early 2000 by Meg Pickard, a creative geek, passionate photographer, anthropologist and web experience /community /social media specialist, who works for The Guardian & lives in London, UK.
 
The site includes a blog - a personal and evolving collection of links, opinions, thoughts, ideas, anecdotes and musings - as well as a variety of other projects. It is also a place to aggregate some of the author's distributed web activity, like photos, links and music.
 
More info about this site and its author.

Important note #1

This is a personal site. The contents and opinions contained within don't necessarily reflect those of my employer, family, or cat. They think for themselves (though mostly about tuna, in at least one case), and so do I.

Important note #2

Since the overwhelming majority of content on this site is historical, it should be regarded in light of the context in which it was originally published, and not as indicative or revealing of current perspectives, preferences or experience.

Important note #3

While I work and spend a lot of time thinking and talking about social media, participatory technologies and community development strategies, the vast majority of content on this site is not about that.

This personal site isn't about anything, except the perpetual unfolding of one person's experience, and the perspectives, observations and opinions that involves and inspires.

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