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On Visual Memory

At one point, a few years ago, my friends used to poke gentle fun at me for always drawing maps using the objects on the table:

“So imagine that this salt cellar is me, and that ashtray is the corner of the road…hand on, can you pass that fork? Ok, that fork is the zebra crossing, and the mug, I mean the bus was going along here like this…”

My listening friends would start to chip in usefully:

“What’s this pepper pot?” “How about my lasagne?” “Can this glass be a bus stop?” and so on. Smart arses.

But I can’t help it: I’m a very visual person. I tend to wave my hands around a lot when talking, and frequently end up sketching things on napkins, bus-tickets, notebooks, whatever comes to hand, to explain myself better. I remember things visually and spatially and in relationship to each other, and I explain them better that way, too.

I have a visual memory. When I was studying for my finals in uni, I realised that the best way for me to remember key things like dates, quotes, definitions and key translations was to remember them visually. I would draw up elaborate A3 sheets in coloured pen, with words and paragraphs and numbers written in different colours, or underlined, or at a weird angle, or next to a doodle of a tree. Sometimes I would get other people to write things for me – my flatmate, boyfriend, neighbour. My landlord even wrote something once when he came around to collect the rent: in brown pen on the top right hand corner of a sheet – Banisteriopsis, the latin name of the most widely-used hallucinogen in the Amazon. I still remember it now. I remember because after writing the sheets, I would tape them over my windows, and then sit at my desk and stare at them. I would memorise the relationships of the objects, the way they were written, and then later, in the exam, I would be able to re-draw them in my mind.

That’s the way my mind works – I learnt that early on, and I figured out how to work around it: if I write your phone number on a bit of paper, I probably won’t remember it. If you write it down, I probably will. But I’m completely porked when it comes to type – now I use a PDA, I don’t tend to remember phone numbers any more. But I had to get a scribble pad for the device, in order to help me think. I think visually, with a pen in my hand.

I surprised Tom earlier. I was trying to explain how something worked, and he wasn’t getting it, despite my hands drawing elaborate shapes in the air, and so I suddenly whipped out a whiteboard from under the bed, and drew him a quick flow diagram.

“I cannot believe you own a whiteboard, Meg,” he said “and you keep it under your bed.*”

No wonder I’m single. Sigh.

* At which point, I must point out, Tom launched into a long postulation about exactly why I might keep a whiteboard under my bed. He conjectured that it was for precise diagramatic and businesslike explanation and review of sexual expectation and performance, including (in his own words), the projected orgasm requirement curve, and, most amusingly, graphs of expected performance figures: “If we look at the chart we can see that I am not required to perform any oral services until June, although there is reciprocal servicing required from late April.” Thank you, Tom. That’s not why I keep a whiteboard under the bed, boringly enough. Sorry to disappoint.

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Category: Friends, Reflections, University, Web, Work

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By way of explanation…

This is an individual post, which may not be very recent. For the latest stuff on meish dot org, please visit the main page.

By the way, I'm female. It doesn't have much impact on what I write about, or how I write, but I thought I'd point it out because so many people who link to this site seem to assume I'm male.

The clue's in the name: Meg. Like all those other female Megs.

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What’s all this, then?

This is a personal site, created and curated continuously since early 2000 by Meg Pickard, a creative geek, passionate photographer, anthropologist and web experience /community /social media specialist, who works for The Guardian & lives in London, UK.
 
The site includes a blog - a personal and evolving collection of links, opinions, thoughts, ideas, anecdotes and musings - as well as a variety of other projects. It is also a place to aggregate some of the author's distributed web activity, like photos, links and music.
 
More info about this site and its author.

Important note #1

This is a personal site. The contents and opinions contained within don't necessarily reflect those of my employer, family, or cat. They think for themselves (though mostly about tuna, in at least one case), and so do I.

Important note #2

Since the overwhelming majority of content on this site is historical, it should be regarded in light of the context in which it was originally published, and not as indicative or revealing of current perspectives, preferences or experience.

Important note #3

While I work and spend a lot of time thinking and talking about social media, participatory technologies and community development strategies, the vast majority of content on this site is not about that.

This personal site isn't about anything, except the perpetual unfolding of one person's experience, and the perspectives, observations and opinions that involves and inspires.

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